FOUNDING PATRON CAMPAIGN· DESIGN PHASE 2026

Help bring
two large
works into
the world.

I am opening a small circle of founding patrons to fund one year of design — a 15 metre Whale and a gathering Dome. This is not crowdfunding. It is a direct invitation to the people I trust.

Tax-deductable giving available for Australian supporters

Burning Heart - Commissioned by Bill Hauritz Co-Founder - Woodford Folk Festival - August 2024 

A short introduction from Angie — 1 min 20 sec.

These works move against the current.

WHY THIS WORKS

In a time of instant generation and frictionless consumption, they ask something different.

01

Real materials. Real assembly.

These are not digital objects. They require plywood, joints, tension, weight, and hands. Every piece is cut, fitted, and held by people in the same place at the same time.

02

Fabricated anywhere in the world.

The design phase creates a system — documented, tested, and licensable — that can be built locally from available materials. Not a single object shipped. A transferable blueprint.

03

Systems for collective making.

The works are designed to be assembled by many people. The act of building is as much the work as the finished structure. They require coordination, shared effort, and trust.

04

If this phase isn't funded, the works don't exist.

There is no shortcut to the structural rigour required. This year of design is the work before the work — and it only happens with the support of people who believe it matters.

THE WORKS

Two structures. One year of design

The whale

Migration, scale, and shared effort

A large-scale structure designed at 10 to 15 metres in length. Conceived as a semi-monocoque rib system — a structure that reveals its own internal logic through frames, stringers, and spacing. Both sculptural and inhabitable in its presence.

The Whale is the more complex of the two works. It requires extensive structural development and is being developed as a flagship: a structure of scale, movement, and shared force.

WORK 01 — FLAGSHIP

Scale Inhabitable

Assembly Collective, Many hands

Material MDF Tricoya

WORK 02 — COMPANION

Peyote Bloom Dome

Gathering, intimacy, and stillness

A large-scale dome crowned by a blooming form. The Dome is designed as a place of gathering — a structure that can be entered, inhabited, and experienced from within. More accessible in its fabrication threshold than the Whale.

It is being developed as a structure that can travel, gather people, and create temporary spatial presence in different settings. Approximately 15 plywood boards depending on final configuration.

Scale Inhabitable dome

Portability Build by many hands

Material MDF Tricoya

HOW TO PARTICIPATE

This is not open to everyone.
It is an invitation to a small group of people.

Two founding patrons have already committed. There are limited places at each level.

ENTRY

Supporter

AU$100 – $500

INCLUDES

  • Acknowledgment and gratitude

  • Progress updates during the design year

  • Selected behind-the-scenes material

RECOMENDED

Founding Patron

AU$1,000 – $2,500

INCLUDES

  • All Supporter benefits

  • Named recognition as a Founding Patron

  • Private design update — direct from Angela

  • Early access to key project developments

  • Tax-deductible receipt (DGR pathway)

SUBSTANTIAL

Anchor Patron

AU$5,000+

INCLUDES

  • All Founding Patron benefits

  • A direct conversation with Angela during the design year

  • Recognition as an early anchor supporter

  • Priority access to future acquisition

  • Tax-deductible receipt (DGR pathway)

OWNERSHIP

Acquire

Licensed fabrication files • One-build rights • Flat-pack scaled structures • Future physical editions • Full commissioned versions

WHERE YOUR SUPPORT GOES

One year of focused design labour

This is what that time contains

Structural design & engineering

Rigorous structural development so both works can be safely fabricated and assembled by real people in real places.

Prototyping, testing, model-making

Physical prototypes and material tests. The design process cannot happen without making things at scale and testing what holds.

Fabrication logic & documentation

Assembly documentation, licensing frameworks, and digital fabrication preparation — the systems that allow these works to exist anywhere.

Frequently Asked Questions

  • It depends on how you participate. Support and patron contributions fund the design phase. Ownership pathways — files, editions, commissioned works — are handled separately by enquiry.

  • Support and patron contributions fund the design phase. Physical works, flat-pack structures, and fabrication rights are available separately.

  • Prototyping, fabrication, public presentation, and opportunities for commissioning, acquisition, and wider distribution. Founding patrons receive priority access to all of the above.

  • International shipping is not necessary. Each work is designed for local fabrication. Depending on your location, we can arrange local pick-up or coordinate delivery.

  • Because the people who will support this work are people who already understand it. A small, trusted circle is both more honest and more effective than an anonymous crowd for work of this nature.

A B O U T T H E A R T I S T

Angela Sierra
Designer. Installation artist. Based in Australia.

Angela Sierra’s practice sits at the intersection of art, design, , and community. She develops large-scale systems that can be fabricated locally, assembled by many hands, and experienced as both sculpture and shared act.

Her work focuses on collective assembly, participatory environments, and immersive experiences—where the act of building is as significant as the finished form.

The Whale and the Peyote Bloom Dome are her most ambitious works to date. Both require a full year of dedicated design before any fabrication can begin. This campaign supports that phase.

Read more about the work

BE APART OF THE BEGINNING

These works only exist through you.

If this resonates, I invite you to be part of their beginning. There are limited places at each patron level. The design year starts now.